My approach is highly iterative, emphasizing exploration and experimentation rather than fixating solely Below are some of my favorite pieces of my sketchbooks organized into themes to help you view and understand my creative process,
DEMONS from japanese folklore are depicted above, with the HANNYA being among the most popular. These striking figures are staples in Irezumi art and lend themselves to diverse stylistic interpretations, allowing for playful reimagining and variation of their unique traits. This sketchbook captures that essence, presenting a collection of artworks that explore the depth and dynamism of HANNYA-inspired designs.
The FLOWERS section of my sketchbook is a curated collection of floral and bonsai sketches, showcasing the delicate beauty of nature in stark contrast to the previous unnatural page. Each iteration seeks to explore the intricate details of these blooms and the tranquil elegance of bonsai, celebrating the artistry found within these complex organic forms.
The GHOSTS (yurei) page in my sketchbook dives into the ethereal world of these spirits, capturing their haunting beauty and deep sorrow. Many of the sketches focus on Oiwa, a well-known figure in this folklore, illustrating her flowing garments and deformed features that embody the essence of Yurei. Rather than mere scary stories, these traditional depictions arise from tragic life stories, serving as poignant reminders of the consequences of our actions and urging us to reflect on our own choices.
The YEAR OF THE SNAKE page in my sketchbook celebrates the enigmatic charm of this revered symbol from the Chinese zodiac. Instead pulling from commonly used flash as the frame work for these designs , I instead sought to pull elements and symbols that are present in the celebration and festival side of the lunar new year. Each sketch seeks to capture the essence of this creature, weaving in elements of nature and mythology.
AMERICANA imagery that guided my initial research for my thesis. It most importantly helped me understand if there are any parallels that exist and the scope of my project- particularly that a lot iteration is needed and. This sketchbook page illustrates the essence of Americana this sketchbook page illustrates the essence of Americana through a vibrant collage of iconic symbols and cultural elements.
The BIRDS sketchbook page showcases an exploratory fusion of American native birds reimagined in a more traditional Japanese art style than they are typically depicted. Each illustration combines the graceful form and vibrant colors of species like the turkey vulture and blue jay with the delicate repeating aesthetics like the repetition of forms.
The NAMAKUBI sketchbook page features a collection of male severed heads, each uniquely portrayed to emphasize their ghostly yet captivating essence. The namakubis are depicted in similar expressions; their intensity is a key component to their design and are generally my favorite design to iterate.
The sketchbook page DRAGON CLAWS is a colorless exploration of form and off shapes for gap filler, showcasing a variety of intricate designs and forms. Short to an obsession of mine, the sweeping lines capturing the ferocity and elegance of a dragon's hand with elongated claws that taper to sharp points that suggest both power and grace. The page features detailed studies from different angles, highlighting the repetition of the scales.
The final page of my sketchbook is a culmination of sketches I like but have no larger categorization for. It is comprised of working sketches for other projects, beginnings of stencils, and exploratory sketches for my thesis.